Archive for the 'Psychedelic Music' Category

60’s Psychedelic Music and New Psychedelic Music Bands

April 2nd, 2009 -- Posted in Psychedelic Music | No Comments »

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We bring you another great article… if you love psychedelic music bands and artists. The front runners of 60’s psychedelic music were The Beatles….read on….

The Context

It was August of 1966. Only 2 and a half years since The Beatles first broke onto the scene in the United States with "I Want To Hold Your Hand" and the accompanying hysteria ("Beatlemania.") Since then The Beatles music had quickly been evolving from their earlier pop rock into a more sophisticated art rock.

Rubber Soul

Their most recent album was Rubber Soul which had been released in December of ‘65. While these days just 8 months between album releases is a short time, in those days it was considered a reasonably long time to wait for the biggest band in the world to release their next album. Rubber Soul was itself a major step forward from the album before that (Help!) It included the first use of the Indian instrument the sitar on a pop record ("Norwegian Wood’) and it also featured more introspective lyrics (such as on "Nowhere Man" & "In My Life") than were generally heard on their earlier albums.

Revolver

While Rubber Soul was a big step forward, Revolver was a leap forward sonically. The most forward looking track was of course the album closer, "Tomorrow Never Knows" which still sounds like the future 42 years later. I’ll look at that track more in depth at the end of this article.

While Rubber Soul had "Norwegian Wood" which had some sitar on it, Revolver’s "Love You To" was something else entirely. This George Harrison song based entirely on Indian instruments that sounded totally unlike anything pop music listeners of the time had ever heard before. In fact I bet it sounds totally unlike anything most pop music listeners of today have ever heard too (unless of course they’ve listened to Revolver or Sgt Pepper.) "Love You To" definitely expanded the horizons for what a pop record could sound like. But it was far from alone in that regard on this album.

"Eleanor Rigby" featured a string quartet and Paul McCartney’s voice. With it’s poetic lyrics and unique arrangement, it still stands as a classic in popular music today.

"Yellow Submarine" is a childlike song written by Paul McCartney and sung by Ringo Starr that went on to inspire the cartoon feature of the same name released in 1968. It’s really quite a weird song, isn’t it? This was a great example of The Beatles just completely ignoring any rules for what kind of songs should be on a popular music album.

"I’m Only Sleeping" features George Harrison’s backwards guitar. I’m not sure if this is the first pop song to include backwards guitar, but it is probably one of the first. Harrison learned to play the desired melody backwards so that when reversed it would fit in properly with the song. Just another example of The Beatles pushing the envelope in the studio with their arrangements.

"Tomorrow Never Knows"

While there are many amazing breakthroughs on this album, it’s been said that every song on the album inspired a new sub genre of rock music, it’s "Tomorrow Never Knows" that really stands out as a ground breaking song. Amazingly enough this was the first song recorded for the album (in April of 1966, John Lennon wrote it in January of ‘66.)

Everything about this song from it’s lyrics to it’s song writing to it’s arrangement to it’s production was very experimental. The vocals were put through a Leslie speaker to obtain a vibrato effect. This was the first time such an effect was used. The lyrics were based on The Psychedelic Experience by Timothy Leary (and that book was based on the Tibetan Book of the Dead.) The song featured very inventive use of tape loops, reverse drums, reverse guitar, and many more sonic explorations. Another unusual fact about the song is that the song is almost entirely played on just one chord. This was probably greatly influenced by Indian music which is often played in such a way.

Author: Johnny Moon

CLICK HERE: The Beatles

Classic Albums & Songs

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Psych Bands, Psych Albums

March 9th, 2009 -- Posted in Psychedelic Music | No Comments »

Based in Somerset,UK, OHead gently caress the ears with lush ambient psychedeli music designed to float you away on a magic carpet ride to otherworldly dimensions. Sit back and enjoy your trip through the colourfull world of ohead.

Visit the OHead Psychedelic Music Site Here for music, visuals, downloads, live pics and the whole OHead experience

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If you like the video below then check out our other recent posts for more!

Read on for another great article brought to you by OHead

The Beatles Best Four Psychedelic Albums

These are the four Beatles albums you need if you are into psychedelic music. I will not put them in order (other than alphabetical) because you really need all four of them and I don’t want you thinking you can get away with leaving any of them off your list.

Magical Mystery Tour (1967)

This is probably The Beatles most purposefully trippy album. Almost every song on the album is bursting with mind melting madness of some type or another whether it be experimental production, unusual song arrangements, and/or unusual songwriting. "I Am The Walrus" & "Strawberry Fields Forever" are arguably John Lennon at his most "mad." These are the songs where he went full out with the "kitchen sink" production, the bizarre lyrics, the unexpected song arrangements. It’s all there. "Flying," "Blue Jay Way," and the title track "Magical Mystery Tour," these are songs designed to melt minds and they do just that.

Revolver (1966)

What brililant songs. And what an amazing variety in music in such a compact album. There’s more variety in this 35 minute album than in most band’s whole careers. And it’s all done so incredibly well. And then there’s "Tomorrow Never Knows" which could very well be the most far out song The Beatles ever recorded.

Sgt Pepper’s Lonely Hearts Club Band (1967)

This is a trip. Sure the "concept" isn’t really all that tight, but I think that’s why it works so well. It’s like you are in a carnival going around hearing these different incarnations of the same band. Again a wild selection of different styles of music but unlike Revolver, each of the songs somehow sounds connected to each other as well. It’s an amazing trick to make "Within You Without You" & "When I’m 64" make sense together on the same album.

This is an album that has become so legendary that sometimes I think people don’t properly appreciate how great it is. It is not overrated. It really is that good. If you think otherwise, you may have not got out of that stage where you want to be different just for it’s own sake.

The White Album(1968)

I talk a lot about variety in this article because that’s one of the things that I love most about The Beatles music and it’s one of the things that I think makes listening to their albums so trippy. Well this is the peak of that variety. There’s 30 tracks here and a vast majority of them are completely different than the other 29 songs on the album. In many ways this is the ultimate Beatles trip and I think it’s their best album ever (psychedelic or not.)

And then there’s "Revolution #9." It’s hard to get much more psychedelic than that. If you really listen to this track closely on headphones you are likely to get yourself quite a scare and I think that makes the song quite a successful piece of sound art.

Author: Johnny Moon

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